A couple of weeks ago I ran into
Carl Moore at the Caritas
Village Caritas Village
My first blog assignment was to
interview Lurlynn Franklin about her exhibit, Colored Cartoons in Undeniable Blackness. The opening reception for the exhibit was
Friday, September 14, and I rushed there after work to meet Lurlynn and check
out the art. The day had been a whirlwind and I think I subconsciously expected
my interview/exhibit experience to be the same. I was wrong.
As soon as I walked into The
Caritas Village, I was captured by the striking story quilts hanging in the
gallery. The already colorful room exploded with even more vibrancy than usual.
As if that was not enough to slow me down, I then introduced myself to Lurlynn Franklin.
Her calm and incredibly strong presence told me immediately that this woman is
someone I wanted to know. She graciously took the time to talk with me about
her work and act as my personal tour guide on a journey through the exhibit.
Our
conversation began with Lurlynn discussing her various styles of artistic
expression. The pieces hanging on the walls before us are a stylistic departure
from her previous work. She explained, “This series - the style of it is
nothing like the other work that I have. The theme is Colored Cartoons in Undeniable Blackness. It’s focusing on what
people consider stereotypical black life, but there is a larger element of
truth in that. I am balancing both of those and I’m doing it in a really
humorous way.” Lurlynn’s paintings prove that people can handle tough subjects
much better when you serve it to them with a big helping of humor. She
certainly tackles some of the toughest of subjects. From teenage pregnancy to social
justice, Colored Cartoons fearlessly
tackles current issues with warmth, bright colors, and sharp wit.
My personal favorite of the story
quilts is “Po Babee Lost in the Sixties.” In the painting, a mother and her
child in a brightly colored room, wearing clothes that scream of the 1960’s,
with and over-sized hand holding up a peace sign, and a lava lamp on the floor.
Behind them is a book shelf, full from top to bottom with books by writers such
as Malcolm X and Richard Wright. Lurlynn expresses that this was one of the
most autobiographical pieces in the collection, and it is the bookshelf that
makes it so. The books represent the journey through her own life, each one
signifying a different phase or era. The bottom of the shelf, representing the
most recent years, is overflowing onto the floor with books by world-changers,
such as Dr. Martin Luther King Jr.
In addition to the beautiful story
quilts, poems hang on the wall as well. Lurlynn has been writing as long as she
can remember and accompanies her paintings with words, giving the exhibit a
deeper level of wisdom and completion. Those of us who were there for the
opening reception were lucky enough to here her read the poems herself.
Lurlynn Franklin is an artist with
an incredibly fascinating point of view. It was refreshing and inspiring to speak
with an artist with such passion and conviction. Every pattern, stitch, color,
line and curve on her paintings is intentional and filled with purpose. I am
grateful for the time she spent with me and that light that she sheds into dark
corners and onto difficult subjects.
Do not miss Colored Cartoons in Undeniable Blackness by Lurlynn Franklin. The
exhibit will be in the Hope Gallery at the Caritas Village
